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Jacques Herzog en Pierre de Meuron : beiden °1950 (Basel). Thomas Ruff °1958 (Hamersbach, Dl.). --- Architectuur-fotografie Thomas Ruff --- Architectuur 1985-1995 Jacques Herzog & Pierre de Meuron --- 72.038 --- 72.07 --- 77.092.07 --- Architectuurgeschiedenis 1950 - 2000 --- Architecten. Stedenbouwkundigen A - Z --- Fotografen A - Z --- Herzog & de Meuron --- Herzog & de Meuron. --- Meuron, de, Pierre --- Herzog & de Meuron [Basel] --- Architectuur ; 1985-1995 ; Jacques Herzog & Pierre de Meuron --- Architectuur-fotografie ; Thomas Ruff --- architects --- architecture [discipline] --- Herzog, Jacques --- Architecture --- Architectuurgeschiedenis ; 1950 - 2000 --- Jacques Herzog en Pierre de Meuron : beiden °1950 (Basel). Thomas Ruff °1958 (Hamersbach, Dl.)

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architects --- Architecture --- Architecture contemporaine --- Architects --- Architecture, Modern --- 72.036 --- Architectuur ; 1980-2000 ; 40 architecten onder 40 --- 72.038 --- -Architecture, Modern --- -724.6 --- Modern architecture --- Professional employees --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurgeschiedenis ; 1950 - 2000 --- hedendaagse architectuur --- Design architectural --- Architectes --- 724.6 --- History --- Architects - Biography --- Architecture, Modern - 20th century --- Architectes. --- architecture [discipline]

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With a Biennale centered on research, titled Less Aesthetics, More Ethics, Massimiliano Fuksas abandons the usual set up of the previous Biennali. The exhibition is no longer based on the idea of architecture as buildings, but develops a 360° perspective on contemporary city, especially the megalopolis of the 21st century. As the title itself points out, it is essential for Fuksas to find a new way to relate to architecture, favoring the research of new ethical responses, rather than simply aesthetics, when developing a project. From the 90’s onward, the largeness and the speed in urban transformations, especially in Latin America, Asian South-East and Africa, have determined, along with pollution and a huge development of dimensions, new social discontent and disparity. This is why Fuksas decided to “use the Biennale as a lab to analyze the new planetary dimension of urban behaviors and transformations”, highlighting three main themes: the Environment, both as an object and a subject for thinking; Society, which represents the attention to urban changes; Technology, as information, communication, virtual dimensions.

The Corderie, the Artiglierie, the empty spaces at the Arsenale up to the Vergini (recovered by the Biennale presided by Paolo Baratta in 1999, and used for Architecture for the first time) and the Padiglione Italia, hosted a selection of architects, artists and photographers that had investigated metropolitan changes in the last years. More specifically, the set up at the Corderie dell’Arsenale, revising the continuous perspective of the Strada Novissima in 1980, is a significant example of fusion between digital technology and the architectural debate. In the 300 meters of the Corderie, a mega screen would present twelve videos of contemporary megalopolis: Bogotà, Buenos Aires, Bucharest, Budapest, Mexico City, New Delhi, Paris, São Paulo, Quito, Cairo, Athens and Montréal. The megalopolis appears to be a sort of global magma, where cultural stereotypes, turistic and economic flows all live together along with urban decay situations, which are often ignored or understated. The spaces of the Padiglione Italia hosted the works of architects, artists and photographers that, through different practices and methods, have questioned the evolution of the metropolis, underlining the necessity o fan interdisciplinary approach to catch up with the challenges present times may hold.

Architecture, Modern --- City planning --- Architecture --- Urbanisme --- Exhibitions --- History --- Exhibitions. --- Expositions --- Histoire --- International Architectural Exhibition --- Biennale van Venetië (2000) ; 7de internationale architectuurtentoonstelling --- Architectuurtentoonstellingen --- Stedenbouw ; architectuur ; 1990-2000 --- 72.038 --- (069) --- Architectuurgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Visionary architecture --- Architecture and technology --- Digital art --- Designs and plans

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Nicholas Grimshaw is one of the pre-eminent figures of the British architectural scene. Alongside Norman Foster and Richard Rogers he is a leading figure of the high-tech movement, responsible for some of the outstanding buildings of the last decade. This book covers the years 1965-1988, a period which saw Grimshaw establish his practice and his reputation worldwide as an architect of great subtlety and a master of detail. Colin Amery charts the line of Grimshaw's development from his student days at the Architectural Association onwards. He gives critical insights into Grimshaw's thinking and design methodology for a family of buildings, from the 1967 Service Tower for a student hostel to his 1988 Grand Union Walk houses and Superstore for Sainsbury's at Camden. Grimshaw's buildings show a steady evolution, model to model ; an evolution which is illustrated in detail here with photographs, plans and drawings.

Architectural firms --- Architecture, Postmodern --- Architectural practice, International. --- Agences d'architecture --- Architecture postmoderne --- Architecture --- Pratique internationale --- Grimshaw, Nicholas, --- Nicholas Grimshaw and Partners. --- Architecte --- Architectural practice, International --- Grimshaw, Nicholas --- Nicholas Grimshaw and Partners --- 20e siècle --- Architectuur 20ste eeuw N. Grimshaw --- Industriegebouwen 20ste eeuw --- 72.038 --- 72.07 --- Architectuurgeschiedenis 1950 - 2000 --- Architecten. Stedenbouwkundigen A - Z --- Nicolas Grimshaw --- architectuur --- architecten --- 72.071 --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- buitenlandse architecten --- Bâtiment industriel --- Architectuur ; 20ste eeuw ; N. Grimshaw --- Industriegebouwen ; 20ste eeuw --- Postmodern architecture --- International architectural practice --- Firms, Architectural --- Architectuurgeschiedenis ; 1950 - 2000 --- Grimshaw, Nick, --- Nicholas Grimshaw & Partners --- Grimshaw and Partners --- Grimshaw (Firm) --- Grimshaw-Architects (Firm) --- Architecture, Modern --- Postmodernism --- Architects --- Business enterprises --- Architectural firms - England - London --- Architecture, Postmodern - Europe --- Grimshaw, Nicholas, - 1939 --- -Architecture --- -Grimshaw, Nicholas

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The book features one hundred architects selected by ten critics.

20e eeuw --- 715.8 --- architectuur --- geschiedenis van de architectuur, 20e eeuw --- architecture [discipline] --- Architecture --- architectural criticism --- biografieën (genre) --- hedendaagse architectuur --- architectuurkritiek --- anno 1900-1999 --- Architects --- Architecture, Modern --- 72.071 --- architecten --- architectuur 20e eeuw --- 72.036 --- 10 architectuurcritici bespreken elk 10 architecten --- 72.038 --- Architectuur ; 1990-2000 --- Architectuurtheorie ; architectuurkritiek ; 1990-2000 --- Themes, motives --- buitenlandse architecten --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuurgeschiedenis ; 1950 - 2000 --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960